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Part 2 · An envelope of stillness in an industrial district

The teak envelope — a zone of transition

The teak screen wrapping the old block is one of the most important interventions in the project. It is not treated simply as decoration or as a new façade.

The brief Sukha Space received had two halves: renovate the existing house, and build a new block for the tea room, the guest space and the room for worship.

Bắc Ninh · Renovation and new build · Sukha Space · 3 minute read

Āśraya is not organised by absolute boundaries. From the street to the living spaces runs one sequence of transitions: planting, the teak screen, a void, glass, the interior; from the old block to the new one runs another: courtyard, water, stair and light.

These buffers work physically and psychologically at once. They slow the passage from outside to inside, from public to private, from noise to stillness. Someone standing outside can sense that a house is there without easily seeing all the way in. Someone inside stays aware of the surroundings without being fully exposed to them.

Corridor and the display column beside the living hall, Āśraya
Corridor and the display column beside the living hall, Āśraya

Privacy here is therefore not made by a closed wall but by the depth of several layers of space. Those layers overlap and produce states that are never fully resolved: hidden and shown, closed and open, near and far, inside and out.

Second floor corridor with relief artwork and cove lighting, Āśraya
Second floor corridor with relief artwork and cove lighting, Āśraya

Behind the slats lies a void before the glass, and it is that void which forms the buffer between the building and the environment outside.

Second floor landing with two chairs and a round side table, Āśraya
Second floor landing with two chairs and a round side table, Āśraya

There, light is filtered through several layers. Sightlines are broken up. The shadows of the trees shift through the day. Air can move within that intermediate zone before it reaches the inner skin.

Seen from a distance, the planting and the timber slats overlap until the massing blurs and becomes hard to place. As you come closer the layers begin to separate: trees, timber, glass and interior appear one after another.

Family room with an upright piano behind timber slat screens, Āśraya
Family room with an upright piano behind timber slat screens, Āśraya

From inside, the effect reverses. The world outside does not disappear; it is seen through the gaps. The landscape appears in parts, light becomes moving bands, and the presence of the people inside is registered only indirectly. The envelope therefore does more than wrap the building; it blurs the building’s edge.

Tea set laid on the low table, garden beyond the slat screen, Āśraya
Tea set laid on the low table, garden beyond the slat screen, Āśraya

What does Sukha Space do for a house like this?

We take on villa design and interior construction as one contract, and supply the premium material lines that go with it: genuine Golden Home cabinetry and LaCHAMP natural marble. When design, construction and materials are managed as one by a single company, the programme and the quality standard hold all the way through, and the risk of interruption or fragmentation between contractors is removed.

Tactile Villa Interior DesignFully Co-ordinated Villa Interior Construction See the material lines at our Hà Đông showroom
Koi pond and timber deck on the approach to the tea room, Āśraya
The next part Part 3

Microclimate — architecture as a filter

The project’s buffer layers also amount to a passive approach to microclimate.

Read article →

An envelope of stillness in an industrial district

01 Keeping the old, building the new
02 The teak envelope — a zone of transitionyou are reading this one
03 Microclimate — architecture as a filter
04 Materials and the mark of time
← The previous part: Keeping the old, building the new See all photographs of the house Back to the Āśraya page